French Impressionist Painter, 1848-1894 Gustave Caillebotte was born on August 19, 1848 to an upper-class Parisian family. His father, Martial Caillebotte (1799-1874), was the inheritor of the family textile industry and was also a judge at the Seine Tribunal de Commerce. Caillebotte father had been twice widowed before marrying Caillebotte mother, C??leste Daufresne (1819-1878), who had two more sons after Gustave, Rene (1851-1876) and Martial (1853-1910).  Related Paintings of Gustave Caillebotte :. | The man stand on the terrace | Rue Halevy | In a Cafe | On the Pont de l Europe | Sunflowers, Garden at Petit Gennevilliers |
Related Artists:
Max Joseph Wagenbauer
Maximilian Joseph Wagenbauer (1775 Grafing - 1829 Munich), was a Bavarian artist. After finishing school, Wagenbauer attended drawing classes in Munich, under Johann Jakob Dorner the Elder (1741-1813). At the turn of the 19th century he was producing mostly Neo-Classical watercolour landscapes. He served in the military from 1797 to 1801, receiving a royal artist's annuity after his service through the influence of Johann Christian von Mannlich (1741-1822), architect and general building director of the dukes of Zweibre-ken. A condition of the royal stipend was that he produce paintings. He was appointed artist to the court and cabinet in 1802 and Inspector of the Royal Paintings Gallery in 1815. Wagenbauer focused increasingly on oil painting after 1810 and enjoyed the patronage of Maximilian I Joseph of Bavaria, who in 1811 commissioned him, Cantius Dillis (1779-1856) and Johann Jakob Dorner the Younger (1775-1852) to decorate the banquet hall at Schloss Nymphenburg with large paintings of Bavarian lakes.
camille corot
Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
Mitchell Ken
about 1752-1845